- Organizer: A/P/A Institute at NYU
- Venue: NYU Casa Italiana
24 West 12th Street
New York, NY 10003 United States
A/P/A Institute asks four artists — Suheir Hammad, Sidd Joag, Iara Lee and Paul D. Miller (aka DJ Spooky) — to explore the idea of being “the change they want to see” as set forth by ﬁlmmaker Iara Lee in her ﬁlm “Cultures of Resistance.” The workshop, screening and discussion will provide launching points for artists, scholars and community to come together in discussion on artistsʼ roles in global change and resistance.
FILM “Cultures of Resistance” dir. Iara Lee
NYU Casa Italiana Zerilli-Marimò
24 West 12th Street, Auditorium
Does each gesture really make a difference? Can music and dance be weapons of peace? In 2003, on the eve of the Iraq war, director Iara Lee embarked on a journey to better understand a world increasingly embroiled in conﬂict and, as she saw it, heading for self-destruction. After several years, travelling over ﬁve continents, Lee encountered growing numbers of people who committed their lives to promoting change. This is their story. From Iran, where grafﬁti and rap became tools in ﬁghting government repression, to Burma, where monks acting in the tradition of Gandhi take on a dictatorship, moving on to Brazil, where musicians reach out to slum kids and transform guns into guitars, and ending in Palestinian refugee camps in Lebanon, where photography, music, and ﬁlm have given a voice to those rarely heard, “Cultures of Resistance” explores how art and creativity can be ammunition in the battle for peace and justice.
NYU Casa Italiana Zerilli-Marimò,
24 West 12th Street, Auditorium
The ﬁlm is the launching point for the post-screening panel featuring ﬁlmmaker Iara Lee (“Cultures of Resistence”), Paul D. Miller (aka DJ Spooky on the Vanuatu Paciﬁca Project and Tanna Center for the Arts), poet Suheir Hammad, and artist Sidd Joag. The panel will explore the role of the artist in a global society, including that of the diasporic artist. The panel will be moderated by NYU Tisch School of the Artsʼ Art & Public Policy Program chair Randy Martin.
Suheir Hammad is a Palestinian-American poet, author and political activist who was born on October 1973 in Amman, Jordan to Palestinian refugee parents and immigrated with her family to Brooklyn, New York City when she was five years old. She is the author of breaking poems, recipient of a 2009 American Book Award, and the Arab American Book award for Poetry 2009. Her other books are ZaatarDiva, Born Palestinian, Born Black and Drops of This Story. Her work has been widely anthologized and her produced plays include “Blood Trinity” and “breaking letter(s),” as well as the libretto for the multimedia “Re-Orientalism.” An original writer and performer in the TONY award winning Russell Simmons Presents Def Poetry Jam on Broadway, Suheir appears in the 2008 Cannes Film Festival Official Selection, “Salt of This Sea.”
Sidd Joag is the currently the Program Coordinator for freeDimensional, an international network organization that supports artists facing political repression for their creative work. Before joining freeDimensional, Sidd worked as the Creative Director for an NGO in Southwestern China focused on ethnic minority cultural preservation and HIV/AIDS and injecting drug use prevention/education and established a multidisciplinary studio residency/exchange program on the China-Burma border. Sidd holds an MSc in Sociology from the London School of Economics and Political Science with concentrations in Crime, Control and Globalisation, Cultural Theory and New Media and a B.A. in Sociology from New York University. His installations, paintings and experimental videos have been exhibited in the United States, Canada, India and China. He is a co-founder of Zero Capital Arts – an international, interdisciplinary and intergenerational art collective – and a board member of When I Walk, Inc., which supports the work of disabled filmmakers.
www.zerocapital.net and http://freedimensional.org
Iara Lee, a Brazilian of Korean descent, is an activist, filmmaker, and founder of the Caipirinha Foundation , an organization that promotes global solidarity and supports peace with justice projects. Iara is currently working on a variety of initiatives, grouped under the umbrella of CulturesOfResistance.org, an activist network that brings together artists and change-makers from around the world. At the center of these initiatives is the documentary film “Cultures of Resistance.” As an activist, Iara has collaborated with numerous grassroots efforts, including the International Campaign to Ban Cluster Munitions, the Conflict Zone Film Fund, and the New York Philharmonic’s groundbreaking 2008 music for diplomacy concert in North Korea. In May 2010, Iara was a passenger on the Mavi Marmara, a passenger vessel in the Gaza Freedom Flotilla which was attacked in international waters by the Israeli navy, leading to the murder of nine humanitarian aid workers. Her crew was one of the only to successfully hide and retain most of the raid footage, which she later released to the world after a screening at the UN. While residing in Lebanon in 2006, Iara experienced firsthand the 34-day Israeli bombardment of that country. Since then, she has dedicated herself to the pursuit of a just peace in the region, and is an enthusiastic supporter of those initiatives which strengthen adherence to international law in enforcing human rights. From 1984 to 1989 Iara was the producer of the Sao Paulo International Film Festival. Iara Lee is a member of the President’s Council of The International Crisis Group (ICG) and the Council of Advisors of the National Geographic Society, as well as a trustee to the Pyongyang University of Science and Technology (PUST), North Korea’s first and only university whose faculty will be entirely composed of international professors.
Born in 1970 in Washington D.C., Paul D. Miller is an artist, writer, and musician working in New York. Miller is best known under the moniker of his “constructed persona” as “DJ Spooky That Subliminal Kid.” Miller has recorded a huge volume of music and has collaborated with a wide variety of artists, writers. musicians and composers such as Robert Wilson, Iannis Xenakis, Ryuichi Sakamoto, Mariko Mori, Kool Keith/Doctor Octagon, Pierre Boulez, Saul Williams, Steve Reich, Yoko Ono, Thurston Moore of Sonic Youth, Paul Auster, and Colson Whitehead among many others. In addition to his award winning book Rhythm Science (MIT Press, 2005), his written work has appeared in The Village Voice, The Source, Artforum, The Wire, Rap Pages, Paper Magazine, The Nation, and a host of other periodicals. Miller’s work as an artist has appeared in a variety of contexts such as the Whitney Biennial; The Venice Biennial; the Ludwig Museum in Cologne, Germany; Kunsthalle, Vienna; The Andy Warhol Museum, Paula Cooper Gallery and many other museums and galleries. His newest book, The Book of Ice, was published in July 2011 by Mark Batty Publisher. “Sound Unbound” (MIT Press), a collection of writings by notable authors, preceded that. His latest, large-scale multimedia performance piece is “Terra Nova: Sinfonia Antarctica”, commissioned by the Brooklyn Academy of Music/Next Wave Festival and other highly respected presenters.
Randy Martin is professor and ahair of Art and Public Policy and director of the graduate program in Arts Politics at the NYU Tisch School of the Arts. He is the author of Performance as Political Act: The Embodied Self; Socialist Ensembles:Theater and State in Cuba and Nicaragua; Critical Moves: Dance Studies in Theory and Politics; On Your Marx: Relinking Socialism and the Left; Financialization of Daily Life; Empire of Indifference: American War and the Financial Logic of Risk Management; and, Under New Management: Universities, Administrative Labor and the Professional Turn. He has edited collections on U.S. Communism, sport and academic labor and, most recently, Artistic Citizenship: A Public Voice for the Arts (with Mary Schmidt Campbell) and The Returns of Alwin Nikolais: Bodies, Boundaries, and the Dance Canon (with Claudia Gitelman).
Dr. Martin holds degrees in sociology from the University of California, Berkeley, the University of Wisconsin, Madison, and the City University of New York. He has studied, taught, and performed in dance, theater, and clowning in the United States and abroad. Previously, he served as professor and chair of social science at Pratt Institute, associate dean of faculty at Tisch School of the Arts, and as an editor of the journal Social Text.
Co-sponsored by: The Institute for Public Knowledge; Tisch School of the Artsʼ Art & Public Policy Program; NYU Steinhardt Department of Art and Art Professions; NYU Students for Justice in Palestine; and the NYU Center for Media, Culture and History