The expanding use of biometric technologies (facial recognition, fingerprinting, DNA recognition, palm vein pattern recognition…) by government and law enforcement agencies poses new questions at the intersections of ethics, technology, policing, and surveillance. Far from some imagined future police state, the real-world applications are taking place here and now. Dubai police are equipped with Google Glass with facial recognition software to help track down suspects. Meanwhile, the F.B.I. is rolling out a $1.2 billion “Next Generation Identification” system, equipping 62 police departments with handheld iris and facial recognition devices.
Enter artist Zach Blas, who has designed a series of aesthetically captivating masks that serve the practical purpose of shielding subjects from potential facial recognition technology, while making a poignant political statement against unethical government policing and surveillance.
“I think one of the things that you’re seeing, when you ask about the potential ramifications of this, is you’re seeing a really odd return to pseudo-scientific endeavors of the 19th century.
Things like anthropometry, physiognomy, phrenology, methods that were popularized by Alphonse Bertillon, Cesare Lombroso, Francis Galton, certain criminologists who would measure criminal skulls to say, “Here’s what the average criminal skull looks like.”
You’re seeing a really weird history-repeating-itself moment with things like that coming back, but of course they’re executed under the guise of high-tech biometrics, so they’re not as questioned because there’s this high-tech sheen to these technologies that I think a lot of people believe are utterly scientifically objective. I think that’s one of the central problems, that biometrics propagate a certain way of understanding identity where you can scan the surface of the body digitally, fully quantify it, and gain some kind of core truth about a person. And you now see that permeating in a lot of different ways.”