Monthly Archives: September 2014

The Museum of Chinese in America (MOCA): “Waves of Identity: 35 Years of Archiving” and “Memory Prints: The Story World of Phillip Chen”

Thu, Sep 25, 2014 – Sun, Mar 1, 2015

The Museum of Chinese in America (MOCA) will present its groundbreaking exhibition examining Chinese American identity,Waves of Identity: 35 Years of Archiving. The title of the exhibit was inspired by a Chinese proverb, “Each wave of the Yangtze River pushes at the wave ahead.” As a metaphor for Chinese American history, the waves represent successive generations of immigrants unearthing the histories of those that came before them, and in the process of discovery, addressing pertinent issues of identity, memory and history. To date, MOCA owns the largest Chinese American collection in the United States, featuring over 65,000 artifacts, oral histories, textiles, photographs, and more. The exhibition will highlight the best of its archives and special collections while engaging visitors in a discussion about identity. The Museum will celebrate its 35th year anniversary in January 2015.

  • Thu, Sep 25, 2014 – Sun, Mar 1, 2015

    Memory Prints is a solo exhibition by Phillip Chen, a visual artist from the Midwest. In fifteen relief etchings centering around his family, Chen reckons with significant moments in Chinese American history. At first glance, individually and as an ensemble, these relief prints are schematic and enigmatic. Rooted in personal experiences, the prints depict precisely drawn tools and everyday objects that reflect his family’s occupational histories. The etchings can be approached as part futurist blueprints and part archaeologic shards, each juxtaposed in an almost Rube Goldberg set of relationships and movements. Their rich darkness reveal precisely drawn tools and everyday objects, an occasional human visage. Each array on each print is imaginatively filled in with lines that interlink and interrelate the items.


897 total views, no views today

MOCATALKS: Unearthing the Story World of Phillip Chen

MOCATALKS: Unearthing the Story World of Phillip Chen

Admission: $12 for Adults; FREE for Members Click Here to Register 

Visual artist Phillip Chen creates relief etchings inspired by his family stories. One print unearths his great grandfather’s experience as a gold miner in California during the Gold Rush in the 1860s. Another is based on his uncle who owned the only restaurant in Fort Wayne, Indiana that served African Americans in the 1930s. Please join Phillip Chen in conversation with MOCA’s co-founder Jack (John Kuo Wei) Tchen as they discuss the intriguing yet complex stories within these amazing prints and address the important distinction between history and memory.

This program is held in conjunction with the exhibition Memory Prints: The Story World of Phillip Chen and co-sponsored by the A/P/A Institute at New York University.

About the artist

Born in Chicago, Illinois, Phillip Chen received his bachelor’s degree from the University of Illinois, Chicago, and master of fine arts degree from School of the Art Institute of Chicago. His work in print media has been exhibited in over one hundred and fifty locations nationally and internationally and is held by public collections that include Brooklyn Museum, Carnegie Institute Museum of Art, Art Institute of Chicago, San Francisco Museum of Fine Arts, and Three Shadows Photography Art Centre, Beijing. He has served as an evaluator for College Art Association, National Endowment for the Arts, and John D. and Catherine T. MacArthur Foundation. His awards include grants from National Endowment for the Arts and The Louis Comfort Tiffany Foundation. Phillip Chen is Professor of Drawing and Printmaking at Drake University.

About the curator

Jack (John Kuo Wei) Tchen is the founding director of the A/P/A (Asian/Pacific /American) Studies Program and Institute at New York University, NYU. Professor Tchen co-founded the Museum of Chinese in America in 1979-80 where he continues to serve as senior historian. Yellow Peril! An Archive of Anti-Asian Fear is his most recent book, co-authored/edited with Dylan Yeats. He is also author of the award-winning books New York before Chinatown: Orientalism and the Shaping of American Culture, 1776-1882 andGenthe’s Photographs of San Francisco’s Old Chinatown, 1895-1905, and he edited Paul C. P. Siu’s classic The Chinese Laundryman: A Study of Social Isolation. In 1991, he was awarded the Charles S. Frankel Prize from the National Endowment for the Humanities (renamed The National Medal of Humanities).

844 total views, no views today

Po Kim — A Memorial Tribute —Exhibition “The Legacy of Po Kim” —opening Sept 3, 2014

Po Kim’s artistic career was characterized by an ever-evolving style, and an eagerness to seek out new areas of inspiration. His paintings, often large in scale, were bold and compelling, bursting with life, energy, and emotion. This work distinguished Kim as one of the premier Korean-American artists of his time. When the artist died earlier this year, he left behind a strong legacy in his paintings, the innumerable artists he inspired, and the gallery in New York and museum in Korea which bear his name.

Po’s life as an artist began in Korea, where he founded the Department of Fine Arts at Chosun University. Incarcerated and tortured during the Korean War, Kim left Korea in 1955 to accept a fellowship at the University of Illinois. He moved to New York City a few years later, and his artistic life flourished here over the next six decades.

This exhibition, through personal objects, photographs, catalogues, and paintings, seeks to provide viewers a deeper sense of an artist who found great inspiration in his identities as a Korean, an American, and a New Yorker. The objects are on loan from The Sylvia Wald and Po Kim Art Gallery, an institution dedicated to the art of its founders and their personal mission of intercultural dialogue between the artistic communities of New York and the world.

August 28—September 26, 2014


The Legacy of Po Kim

Wednesday, September 3, 2014 | 6 PM

Po Kim was a pioneering force in the Korean American art community. When the artist died earlier this year, he left behind a strong legacy in his paintings, the innumerable artists he inspired, and the gallery in New York and museum in Korea which bear his name.  The evening’s panel features NYU’s Alexandra Chang, Hunter College’s Midori Yamamura and former curator at the Jane Voorhees Zimmerli Art Museum’s Mr. Jeffrey Wechsler. The panelists will discuss Mr. Kim’s life; the hardships and turmoil he endured, his long illustrious career as artist and teacher, his evolving style, his influences, and his contributions and impact on the art world.

Members & Students (Student id must be presented at the door): FREE with RSVP

Non-members: $10


The Korea Society Gallery
950 Third Avenue, 8th Floor, New York, NY 10022 (Corner of 57th & 3rd)

For more information, please contact Hui Yon Kim

Drinks and light refreshments will be served.


This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.

884 total views, no views today