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INDO AMERICAN ARTS COUNCIL presents ERASING BORDERS 2014 Erasing Borders Exhibition of Contemporary Indian Art of the Diaspora Opening Reception: Saturday, July 19th, 4–6 pm. The Exhibition will remain open from July 19th – August 16th, 2014 Crossing Art, 136-17 39th Ave, Ground Floor, Flushing, NY 11354 Directions: Click here This Exhibitions is Free and Open to the Public RSVP: email@example.com
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Dear DAAN Members,
Hope summer is humming along smoothly! We’re so glad that some of you are using the DAAN newsletter to reach out to the membership about your news and announcements! Also, thanks for visiting the new DAAN Facebook site as well–please be sure to “like” us! Please continue to send information including exhibitions, conferences, calls, positions, and other news and opportunities via this form. If you have images please email them to DAAN Newsletter Editor Beatrice Glow at DiasporicNetwork@gmail.com with the subject heading “Newsletter.” Please send all images at 72 dpi, in jpg or png files, around 5 x 5 inches. The cut off date to be included in the monthly listing is the third Friday of each month and the Newsletter will be sent out at the beginning of each month.
Help our network grow by sharing this newsletter subscription link, like us on Facebook and visit DAAN’s website for more news, events and member profiles. Are you listed in DAAN’s membership online directory? If not, please sign up here. Thanks!
JULY NEWSLETTER CONTENT
MEMBERSHIP NEWS AND OPPORTUNITIES
post at MoMA
post presents rare material about Contemporary and Modern art from Asia, Latin Americaand Central and Eastern Europe
We invite you to join the conversations about experimental art on post: a new digital platform developed as part of MoMA’s research initiative C-MAP (Contemporary and ModernArt Perspectives in a Global age). post explores experimental art in Asia, Latin America andCentral and Eastern Europe. Join our network and take part in our discussions by clicking on “sign up” in the upper right corner of the homepage, then click “discuss” under any entry.
Here are some examples of recently published rare material on post:
Wang Guangyi, “On Andy Warhol: Perhaps Simplicity Outshines Complexity.”
Miki Kaneda, “Graphic Scores: Tokyo, 1962.”
The MAP Office, “Hong Kong IS.”
Claire Hsu, “Asia as Method, Archive as Method.”
Please visit http://post.at.moma.org/
New York Regional DAAN Membership
Members of DAAN Network in the New York Area: Please email Michelle Yee, your New York Regional Representative, at firstname.lastname@example.org if you are interested in being placed on a mailing list for future events and activities for DAAN members in the region.
2015 CAA Panel Selection Committee
The new DAAN CAA panel selection committee for the upcoming February 2015 conference in New York is accepting panel proposals now through August 31, 2014 here . The panel committee members include Alice Wai Ming Jim, Binod Shrestha, and ShiPu Wang.
PERFORMANCE AND SCREENINGS
A fateful glance between two ancient warriors in a modern-day disco club resurrects a 5,000-year-old family tragedy and sparks a tense romance.
BROTHER LOVERS is an experimental play written and directed by Brooklyn-based performance and video artist Zavé Martohardjono. The play reinterprets the Mahabharata to reimagine two mythic heroes in a timeless queer tale of love, exile, and disco.
BROTHER LOVERS will première on Friday July 18 at 9pm and Sunday July 20 at 12pm at the Wild Project at 195 East 3rd Street in the Lower East Side as part of the 2014 Fresh Fruit Festival’s program “All Out Shorts III: Legends Through a Glass Queerly.” The play features a diverse cast of queer dancers and theater artists. Interested in crafting a universal narrative about belonging, displacement, and desire, Martohardjono directs and casts BROTHERS LOVERS with performers interchangeably playing its two main characters. Martohardjono weaves in autobiography and poetic personal reflections on identity as a mixed-race Indonesian-American far from “home” and considers Arjuna and Karna’s parable through a genderqueer and transgender lens.
For tickets, please visit: http://www.freshfruitfestival.com/2014-fresh-fruit-schedule/
To contact zavé or read more about his work, please visit: http://zavemartohardjono.com
Press release is attached at the end of this email.
Crossing the Hyphen: Recent Works of Pallavi Sharma
May 31- July 9, 2014
Addison Street Windows Gallery
2018 Addison Street
Opening Reception: June 7th – 1pm – 3pm
The Addison Street Windows Gallery proudly presents Crossing the Hyphen: Art by Pallavi Sharma, an exhibition organized by curator, Demetri Broxton. Crossing the Hyphen reinvents recent installations and video art created by Pallavi Sharma. Sharma’s work is a subtle conversation in identity politics in America. Herself an Indian-American, Sharma explores how the hyphen serves a dual role: allowing the new immigrant to acknowledge their national origins while also allowing for a reinvented identity within a new country. Her work explores the blurring of national identities which occurs through the process of naturalization and movement. In her piece Carry-On, a suitcase lies open filled with grass and grass seeds. The work represents both the immigrant and the cultural heritage an immigrant brings with them—seeds to be planted in a new land. The piece poses the question of whether these seeds will always be exotic and separate, or over time will they become integrated into the larger cultural landscape?
Pallavi Sharma was born and raised in India and immigrated to United States in 1997. She received her BFA and MFA from the Faculty of Fine Arts Baroda, India and received her Ph.D. in Art History from India’s National Museum Institute of History of Art and Conservation, New Delhi, India. Pallavi’s work has been exhibited widely at venues including the Queens Museum of Art, Exit Art, Art Asia Pacific, and Bishop Museum. At present, she is a board member ofAsian American Women Artist Association (AAWAA) and Director of ‘Inner Eye Art’ an ArtConsulting Firm specializing in South Asian Art.
Demetrie Broxton is an independent curator. He was born in Oakland, CA and holds an M.A. in Museum Studies from San Francisco State University. Broxton has been curator with the City of Berkeley since February 2014. His past curatorial projects include Past Forward at the Sargent Johnson Gallery and Decoding Identity at Museum of the African Diaspora.
Visit here for more info: http://www.pallavisharma.com/
Follow this link to subscribe.
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Title: Oil & Water Symposium
Date: Sun, Apr 27, 2014 from 10am – 4pm
Location: Museum of China in America, 215 Centre Street New York, NY 10013
Admission: $15/Adults; $10/MOCA Members, Students, and Seniors
The Museum of Chinese in America in New York City (MOCA) will host a scholarly symposium in conjunction with MOCA’s upcoming exhibition Oil & Water: Reinterpreting Ink, opening April 24th. The exhibition will feature the work of three renowned Chinese contemporary artists: Qiu Deshu, Wei Jia, and Zhang Hongtu.
This symposium is composed of experts in the field of Chinese and American art history who will discuss the trajectory of Chinese ink art from traditional landscape painting and calligraphy to the creative reinterpretation of these historic models, reflecting on the social, political and artistic ramifications of their development. The dialogues will unpack the intellectual importance of the ever-developing ink genre and the role these artists play in shaping contemporary art in New York.
• 10:00 – 10:30AM
Welcome and Introduction by Herb Tam, Carolyn Hsu-Balcer, and Michelle Loh
• 10:30AM – 11:30AM
Let Hundred Flowers Bloom: Contemporary Ink in the 21st Century by Julia F. Andrews , Kuiyi Shen, and Melissa Chiu
Moderate by John Rajchman
• 11:30AM – 12:00PM
Artist Interview: Wei Jia and Robert C. Morgan
• 12:00AM – 12:30PM
Artist Interview: Zhang Hongtu and Richard Vine
12:30PM – 1:30PM Lunch Break
• 1:30PM – 2:30PM The Emergence of Asian Art and Asian American Art in the 20th Century
What is Asian, what is American? by Lilly Wei, Aileen Wang (1:30PM – 2:00PM)
How Does Political Evolution and Artistic Revolution in China and America Shape the Development of Asian/American Art by Jerome Cohen (2:00PM – 2:30PM)
• 2:30PM – 3:00PM
Artist Interview: Qiu Deshu and Joan Cohen
3:00PM – 4:00PM Gallery Tour
Panelists include Julia Andrews (Professor, Department of the History of Art, Ohio State University), Carolyn Hsu-Balcer, Jerome Cohen (Professor of Law at New York University School of Law), Melissa Chiu (Director, Asia Society Musuem), Qiu Deshu (featured artist), Michelle Loh (Art Consultant; Director, Athena Art Advisory), Robert C. Morgan (Art Critic and Artist; Professor Emeritus, Art History, Rochester Institute of Technology), John Rajchman (Director, the Modern Art M.A. Program, Columbia University), Kuiyi Shen (Professor, Asian Art History, Theory and Criticism, University of California, San Diego), Herb Tam (Curator, MOCA), Joan Lebold Cohen, Richard Vine (Managing Editor, Art in America), Aileen Wang (Assistant Professor, Art History and Museum Studies, LIU Post), Lilly Wei (art critic and independent curator), Wei Jia (featured artist), and Zhang Hongtu (featured artist).
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Kavi Gupta CHICAGO | BERLIN is proud to announce Glenn Kaino’s solo exhibition, Glenn Kaino: 19.83 at the Studio Museum in Harlem, organized by Assistant Curator Naima J. Keith. 19.83 opens on March 27, 2014
Glenn Kaino, Bridge, installed at the Studio Museum in Harlem, Fiberglass, steel, wire, gold paint,
30″ wide, height variable, Image courtesy Studio Museum in Harlem
Glenn Kaino: 19.83 is the New York debut exhibition that marks the genesis of Kaino’s ongoing collaboration with Olympian Tommie Smith.
On October 16, 1968, during the medal ceremony for the men’s 200-meter race at the Mexico City Olympic Games, American athletes Tommie Smith and John Carlos raised black-gloved fists as a symbolic act of protest. The gesture, seen around the world and preserved in images that still resonate today, became a catalytic symbol for myriad beliefs, ideas and social causes.
The exhibition consists of two works: Bridge (2013), in the Museum’s atrium, and 19.83, in the Museum’s project space. Bridge, a site-specific intervention composed of gold-painted casts of Smith’s arm, is a reservoir of memories that reflects on the power of the athletes’ gesture nearly four decades after its occurrence. 19.83, the title of both the work here and the exhibition as a whole, refers to Smith’s world record–breaking time in the 200-meter race, 19.83 seconds. The work is a gold-plated sculptural environment that takes the form of a three-level platform reminiscent of the one used to honor Olympic medalists. Together, these works examine the conditions in which symbolic moments enter history, how these circumstances evolve over time, and how memory and history compete for relevance in the present.
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Dear DAAN Members,
We are looking forward to seeing you at the 2014 CAA conference in Chicago this coming week!
Spend Valentine’s Day with DAAN in Chicago!
On February 14th at 5h30pm, we will be having the first Diasporic Asian Art Network [DAAN] panel session and hope that you can make it. Prior to that also on February 14th, we will be having a DAAN business meeting from 12h30-2h00pm and would like to discuss several topics including ideas for next year’s panel. We are also organizing a Dutch treat dinner following the DAAN panel session at 8pm. Please email email@example.com by February 13th if you are interested in attending.
Friday, February 14, 2014:
DAAN Business Meeting
Location: Hilton Chicago, 3rd Floor, Astoria Room
720 South Michigan Avenue
Chicago, IL 60605
• Brief introductions
• Remembering: Karin Higa
• Third Text special issue edited by Dean Chan and Michelle Yee for the International Network for Diasporic Asian Art Research [INDAAR]: “The Transnational Turn: East Asian Migrations” just released!
•Asian Diasporic Visual Cultures and the Americas — A new journal published by Brill with Asian/Pacific/American Institute at NYU and Gail and Stephen A. Jarislowsky Institute for Studies in Canadian Art co-edited by DAAN members Alexandra Chang and Alice Ming Wai Jim
• Virtual Asian American Art Museum Project — A new inter-institutional project
with NYU, Getty Research Institute and Smithsonian Institution
• The future of DAAN
• Participating in DAAN
• Panel ideas for future DAAN sessions at CAA
Asian/Americas: Praxis and Pedagogy
Location: Hilton Chicago, 2nd Floor, Boulevard A&B
720 South Michigan Avenue
Chicago, IL 60605
Image: Beatrice Glow, Installation view of illuminated lanterns from the “Aquarium from Austronesia” site-specific performance installation aboard a steamship in New York, 2012, photo by Ærtiron.
Chair: Alice Ming Wai Jim, Concordia University
Richard Fung, OCAD University
Valerie Soe, Asian American Studies Department, San Francisco State University
Beatrice Glow, Independent Artist
Discussant: Alexandra Chang, Asian/Pacific/American Institute, New York University
This panel seeks to think through the spectrum of theoretical and material positions between the hyphen and the slash by focusing on the construct “Asian/Americas,” particularly in relation to praxis and pedagogy. The slash in Asian/Americas challenges traditional notions of hyphenation, suggesting other possibilities for diasporic subjectivity. The plural “Americas” indicates the hemispheric extension beyond North America as well as the notion of multiple Americas. To think of Asian/Americas is to question how diasporic identities can be rendered beyond nation-state, global north-south, third and first world paradigms, beyond divisive dichotomies such as East/West and North/South, and to retain the complexity of the spatial and temporal ways art history, area studies, and Asian Canadian Studies, Asian American and Asian Latin American Studies as well as Caribbean Studies and Pacific Island Studies conceive of the hyphenated play of identities in a transnational world. How can the convergence of these critically precarious positions, political leanings and liberatory praxis intentionally inform, engage and partner with current transformative pedagogies concerning social justice, political power, and the rights to self-representation and self-determination?
Co-sponsored by the Asian/Pacific/American Institute at NYU.
Follows this panel at 8pm, February 14, 2014.
The dinner is Dutch treat
Location: Exchequer Restaurant and Pub
RSVP by Feb. 13th to firstname.lastname@example.org
Additional sessions with DAAN members are listed below:
Celebrating the Life of Karin Higa
Time: 2/14/2014, 5:30 PM—6:30 PM
Location: School of the Art Institute of Chicago/Neiman Center, first floor, Student Union Galleries
Wabash is parallel to Michigan Ave., one block west. Monroe is about 6 blocks north of the Chicago Hilton.
Time: 2/14/2014, 2:30 PM—5:00 PM
Location: Hilton Chicago, 8th Floor, Lake Ontario
Chair: Susette S. Min, University of California, Davis
If the World Changed: Reworlding Southeast Asia in the 2013 Singapore Biennale
May Ee Wong, University of California, Davis
East of Venice: The 2012 Kochi-Muziris Biennale
Sonal Khullar, University of Washington
World on the Horizon: Exhibiting the Arts of the Swahili Coast and Western Indian Ocean
Allyson Purpura, University of Illinois at Urbana-Champaign
Mediacity Seoul: Art and Urban Identity in the Digital Age
Kristina Dziedzic Wright, Seoul National University
Curating Chinese Universal History: Liu Ding and Affect as Method
Hentyle Taiwan Yapp, University of California, Berkeley
Miscegenating Racial Representations: Critical Mixed Race Strategies and the Visual Arts
Time: 2/15/2014, 2:30 PM—5:00 PM
Location: Hilton Chicago, 2nd Floor, International South
Chairs: Laura L. Kina, DePaul University; Margo L. Machida, University of Connecticut
• Beyond the Bronze Venus
Alison Fraunhar, Saint Xavier University
• Sensory Miscegenations: Representing Multiracial Bodies
Sita Kuratomi Bhaumik, California College of the Arts,
Maya Isabella Mackrandilal, independent artist
• Liminal Embodiments
Zavé Martohardjono, independent artist
• Risky Subjectivity: Select Works by Korean Adoptee Artists
Eun Jung Park, independent scholar
Pacific Art Association
Unsettling Pacific Visions: Complicity and Contestation in Kanaka Maoli (Native Hawaiian) and Sāmoan Contemporary Art
Time: 2/15/2014, 12:30 PM—2:00 PM
Location: Hilton Chicago, 2nd Floor, Boulevard A&B
Chair: Stacy L. Kamehiro, University of California, Santa Cruz
• Through the Keyhole: Encountering Kanaka Maoli Art at the ʻAulani, a Disney Resort and Spa
Marata Tamaira, Australian National University College of Asia and the Pacific
• How to Do Things With Aloha: Kanaka Maoli (Native Hawaiian) Performance and Strategic Disavowals
Stephanie Nohelani Teves, University of California, Berkeley
Polynesian Types: Refracted Visions of Race and Indigeneity in Hawai’i and the Pacific
Maile Arvin, University of California, Santa Cruz
Time: 2/14/2014, 2:30 PM—5:00 PM
Location: Hilton Chicago, Lobby Level, Continental A
Chairs: David J. Getsy, School of the Art Institute of Chicago; Tirza T. Latimer, California College of the Arts
• Subversive Light: Mary Corse and the Light and Space Movement
Elizabeth Gollnick, Columbia University
• Queer Zen and the Networked Body: Abstraction and Identity in the 1950s and 1960s
Alpesh Patel, Florida International University
• A Usable Past: Abstract Art in Context at “A Lesbian Show,” 1978
Tara J. K. Burk, The Graduate Center, City University of New York
• A Coincident Minimalism
Joe M. Madura, Emory University
• Influence, Appropriation, and Abstraction: Meaning in Mark Tobey’s Marks
Christopher G. Reed, Pennsylvania State University
Offsite Lectures and Exhibitions in Chicago:
Friday, February 14, 2014
119 N. Peoria #2C
Chicago, IL 60607
In conjunction with Faith Wilding’s Fearful Symmetries Retrospective.
TRACERS TAKES ON FEMINISM: CONVERSATIONS ABOUT MOTHERHOOD, LGBTQ AND RACE.
Panel presentations, 10AM- 5PM
Organized by Jennifer Reeder and Carrie Ruckel, Tracers
10am-12pm – LGBTQ
(12-1pm – lunch)
1-3pm – Motherhood 3-5pm – Race
LGBTQ (10am – 12pm): Latham Zearfoss (moderator), Jillian Soto , Daviel Shy , Frederick Moffet , Malic Amalya , Silvia Malagrino , Amina Ross , NIC Kay
Motherhood (1 – 3pm): Lorelei Stewart (moderator), Christa Donner , Brittany Southworth Laflamme , Judy Ledgerwood , Laura Letinsky , Romi Crawford , Julie Rodrigues Widholm , Christine Tarkowski
Race (3 – 5pm): Isis Ferguson (moderator), Laura Kina , Maria Gaspar , Indira Johnson , Laila Farah , Alberto Aguilar , Alexandria Eregbu , Sima Azadi
Chicago-based artist and DAAN member Laura Kina is also a part of this group exhibition:
Interlacing Threads: Traditional Techniques/Contemporary Practices
January 27 – March 7, 2014
Opening Reception: February 13, 2014
Columbia College The Hokin Project
623 S Wabash Ave, first floor
Chicago, IL 60605
Opening Reception 5h30-8h30pm
The art of weaving, hand-sewing and similar techniques transcends generations and cultures alike. These ancestral arts help sustain a connection to cultural identities and histories that in recent time have acquired new interpretations in the hands of contemporary practitioners.
Interlacing Threads presents the work of seven artists, who informed by their cultural background and present day lives, incorporate traditional techniques in their creative process to shed light on social and political concerns. Ultimately, their work forges a greater understanding of the similar underpinnings of seemingly disparate cultures.
Curated by Marcela Andrade, MA in Visual Arts Management ’14
*Developed in the Curatorial Practicum class & mounted by The Hokin Gallery Management Practicum class.
Equilibrium: Art for a Changing World
A National Juried Exhibition Presented by the Women’s Caucus for Art
The Women’s Caucus for Art announces Equilibrium: Art for a Changing World, Equilibrium seeks to explore the tensions, demands and challenges inherent in living in a rapidly changing world. This exhibition showcases art in all genres and media to express the multiple expressions of balance or its absence, which ranges from abstract to representational, psychological to social, whimsical and poetic to political commentary.
Woman Made Gallery
685 N. Milwaukee Avenue
Chicago, IL 60642
Join us for the Opening WCA Reception: Friday, February 14, 2014, 6:00 to 9:00 p.m.
Show Dates: January 19 — February 27, 2014
Jurors: Beate Minkovski and Mary Stoppert
Exhibiting Artists: Lynn Arnold, Carol Brookes, Cat Del Buono, Rene Culler, Lynn Dau, Sherri Denault, Hope Esser, Jean Fernandes, Helen Geglio, Laurie Hall, Beth Holmes, Martha Markline Hopkins, Hilla Hueber, Lisa Knoop, Beth Lakamp, Judy Langston, Lee Lee, Chandrika Marla, Hildy Maze, Penny McElroy, Sandra Mueller, Jennifer Murray, Brenda Oelbaum, Joann Perry, Corinne D. Peterson, Laura Petrovich-Cheney, Gwendolyn Plunkett, Margee Bright Ragland, Laura Phelps Rogers, Ann Rowles, Ellen Schillace, Carol Scott, Gail Stouffer, Patricia Terrell-O’Neal, Cynthia Tom, Jeane Vogel. Janet Frazee Wade, Elizabeth Wallace, Nancy Youdelman.
Catalog Artists: Elaine Alibrandi, Andrea Beizer, Linda Belden, Jennifer Cawley, Gina Dabrowski, Debra Dobkin, Danielle Eubank, Jill Gewirtz, Lea Goldman, Janice Gossman, Karen Gutfreund, Lucy Julia Hale, Kelly Hammargren, Susan Harmon, Maxine Hess, Karen Hillier, Melanie Houghton, Veronica Jaeger, Cathy Kapica, Marky Kauffmann, Ronni Komarow, Lily Lihting Li Kostrzewa, Marielena Leon, Karlene McConnell, Kelsey McDonnell, BettyAnn Mocek, Janice Nesser, Mary Neubauer, Gail Panske, Amy Pleasant, Carol Quint, Shilo Ratner, Lynda A. N. Reyes, Sandhi Schimmel Gold, Sally Schluter Tardella, Ruth Segaloff, Janna Stern, Leigh Toldi, Virginia Tyler, Deborah Wheeler, Joyce Wynes, and Patricia Zalisko.
CA+T and online exhibitions
The online Center for Art and Thought features a virtual multiplatform exhibition curated by Chicago-based DAANmember Jan Bernabe titled “Queer Sites and Sounds.” Unlike real-world/real-time exhibition, the show is unfolding in stages. The first group of works is up now and through February there will be continued works released from the show.
Also view the Tumblr mini-show called “CA+T ‘Reblogs’ Queer Filipino Viral Hits.”
On Pinterest, Bernabe has also organized a crowdsourcing project called “Queer Filipino Selfies!”, which will continue through October 2014.
Please check out other openings and announcements on the DAAN Website!
If you would like to be listed on the DAAN online directory, please contact email@example.com for more information.
Margo and Alex
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Susette Min, University of California, Davis. Email: firstname.lastname@example.org.
This panel examines how Asia is rendered in and through curatorial
practices beyond nation-state, global north-south, third and first world
paradigms. In contrast to exhibitions that recall nineteenth-century world
exhibitions or present Asia regionally through a narrow scope of natural
disasters, human crises, or ethnic identities, a number of recent
exhibitions –biennials, curatorial collaborations– have envisaged “Asia”
differently. Avoiding dichotomies such as East/West and North/South, the
curatorial structure and selected artworks of these exhibitions
de-territorialize Asia, destabilize the spatial and temporal ways art
history, area studies, and Asian American studies conceive of Asia, and
challenge embedded understandings of modernity and transnationalism. The
panel seeks papers that offer critical reviews or examinations of these
exhibitions, specifically focusing on how they inspire alternative networks
and assemblages that open up new geographies and art histories through
metaphors of connection–archipelago, ocean, rim, port. How might these
connections for example reveal models of South-South art worlds or link
Asia and Africa, Europe, or the U.S. in radically different ways?
Call for Participation
Propose a Paper or Presentation for the 2014 Annual Conference
2014 Call for Participation
The 2014 Call for Participation for the 102nd Annual Conference, taking
place February 12–15, 2014, in Chicago, describes many of next year’s
programs sessions. CAA and the session chairs invite your participation:
please follow the instructions in the booklet to submit a proposal for a
paper or presentation. This publication also includes a call for Poster
Session proposals and describes the seven Open Forms sessions.
Listing more than 120 panels, the 2014 Call for Participation will soon
mail to all individual and institutional members; you can also download a
PDF of the twenty-seven-page document from the CAA website immediately.
The deadline for proposals of papers and presentations for the Chicago
conference is Monday, May 6, 2013.
In addition to dozens of wide-ranging panels on art history, studio art,
contemporary issues, and professional and educational practices, CAA
conference attendees can expect participation from many area schools,
museums, galleries, and other institutions. The Hilton Chicago on South
Michigan Avenue (in the Loop) is the conference headquarters, holding most
sessions, Career Services, the Book and Trade Fair, ARTspace, special
events, and more. Deadline: May 6, 2013.
For more information about proposals of papers and presentations for the
2014 Annual Conference, please contact Lauren Stark, CAA manager of
programs, at 212-392-4405.
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