Tag Archives: 2015

http://www.nyu-apastudies.org/2012/event/2015-gax-symposium-global-asias-art/

 

2015 GAX Symposium: GLOBAL ASIAS | ART

Global Art and Diasporic Art in Japan and Asia

Friday, June 26Saturday, June 27

Symposium jointly organized by Mori Art Museum, Asian/Pacific/American Institute at NYU, and Integrated Human Sciences Program for Cultural Diversity (IHS), The University of Tokyo as part of the 2015 Global Asia/Pacific Art Exchange initiative (GAX)

This symposium is set in the background of an ongoing investigation under the rubric of Global Asias Art and Visual Cultures, which includes reflections on changing connotations of Asia, the modern and the global with its sets of networked economies and circuits of artistic production and visual flows. The symposium will continue with an evolving awareness of transcultural and transnational mobilities in relation to artistic production, but with a view toward internationalisms and the possibility of new internationalisms—a reexamining of the global, in part through a look at the reinscription of the national and international in the global context, which may also be taken as a push toward local specificities in relation to the global. This is also producing developing practices of global responsibility, including socially engaged and environmentally conscious forms of art practice that point to a planetary ethics of the visual. Thus, participants will cover topics from the national to the global and the planetary, from a history of Asian American and other diasporic Asian art to current global tendencies. Global Asias | Art will engage scholars, arts professionals and artists with a critical look at the field in response to the concept of Global Asias including the conceptual intentionality, possibility and limits of these frameworks.

Image: Chalana (Big) , 2014, oil on canvas, 227 x 333 cm / 90 x 132 inches. Courtesy: Oscar Oiwa Studio NY

 

APA logo full text 1500

Screen Shot 2015-05-29 at 12.38.12 PMIHS logo

 

 

 

 

 

Thanks for support of the 2015 Global Asia/Pacific Art Exchange initiative by:

 

NYU Office of the Provost Global Research Initiatives

Major Travel Sponsor Hawaiian Airlines

HAWN_Logo_horiz4C

 

 

 

 

 

SYMPOSIUM OUTLINE

Friday, June 26, 2015 and Saturday, June 27, 2015

 

Day 1: Friday, June 26, 2015, 9:30AM-5PM

Venue: Roppongi Academy Hills (Mori Tower 49F)

Organized by: Mori Art Museum and New York University Asian/Pacific/American Institute Global Asia/Pacific Art Exchange

In cooperation with: Academy Hills, University of Tokyo

Free and open to the public. RSVP required.

For questions, please contact Public Programs at the Mori Art Museum: ppevent-mam@mori.co.jp

 

Day 2: Saturday, June 27, 2015 9:30AM-6PM

Venue: The University of Tokyo Komaba Campus, Auditorium, Administration Office Bldg (3F)

Organized by: Integrated Human Sciences Program for Cultural Diversity (IHS), The University of Tokyo

In collaboration with: Mori Art Museum and New York University Asian/Pacific/American Institute Global Asia/Pacific Art Exchange

Free and open to the public. No RSVP required. Seating on a first-come basis.

For questions, please contact Integrated Human Sciences Program for Cultural Diversity (IHS), The University of Tokyo: project1@ihs.c.u-tokyo.ac.jp

 

SCHEDULE

Day 1, Friday, June 26, 2015:

Roppongi Academy Hills, Roppongi Hills Mori Tower 49F, Auditorium

9AM Registration

9:30-10AM Introduction

Nanjo Fumio, Director, Mori Art Museum

Alexandra Chang, NYU, Asian/Pacific/American Institute

Thomas Looser, NYU, East Asian Studies

 

10AM-12PM Session 1: From Global Toward the International

Patrick Flores, Professor, University of the Philippines

Being International

Kim Sunjung, Director, Asian Culture Information Agency, Asian Cultural Complex

MoMA’s International Program and its changing relationship with Asia

Jay Levenson, Director, International Program, Museum of Modern Art

Nanjo Fumio, Director, Mori Art Museum

Discussants:

Deity, Pop Culture and the Umbrella Movement

Oscar Ho, Professor, The Chinese University of Hong Kong

John Tain, Curator, Getty Research Institute

Introductory talk and moderated by Kataoka Mami, Chief Curator, Mori Art Museum

 

12-1PM ランチ _Lunch

 

1-1:40PM 基調講演:アジアン・アメリカン・アート、汎太平洋地域のアート _

Keynote: On Asian American and Transpacific Art

Margo Machida, Professor, University of Connecticut, Storrs, 30 min

Q&A moderated by Thomas Looser, Associate Professor, New York University

 

1:40-5PM Panel 2: Trajectories of Asian diasporic scholarship and practice

Yuki Kihara, Interdisciplinary Artist, Samoa and New Zealand

Tomie Arai, Artist, New York

Oscar Oiwa, Artist, New York and São Paulo

Kuniyoshi, Noguchi and Ishigaki: Japanese Artists in New York in the 1930s

Tom Wolf, Professor, Bard College

Discussants:

Alice Ming Wai Jim, Associate Professor, Concordia University

Anna Kazumi Stahl, Director, NYU-Buenos Aires

Introductory talk and moderated by Alexandra Chang, Curator of Special Projects and Director of Global Arts Programs, NYU Asian/Pacific/American Institute

 

DAY 2, Saturday, June 27, 2015: IMAGINING ASIAN ART IN GLOBAL ASIAS

The University of Tokyo Komaba Campus, Auditorium, Administration Office Bldg (3F)

This symposium, organized by the University of Tokyo’s Integrated Human Sciences for Cultural Diversity Program, aims to interrogate the notion of Global Asias and the contemporary situation of Asian art in and beyond geographical Asia.

The idea of Global Asias, which refers to the global dislocation, relocation, and transformation of goods, ideas, and people originating in Asia, calls attention to transnational conflict and negotiation at multiple intersecting levels. It is concerned with relationships not only between indigenous cultures inside Asia, but also between Asian-derived cultures outside of Asia. Global Asias looks, for example, not only at the relationship between Japan and the United States or Japan and Brazil, but also the relationship between Japanese-American and Japanese-Brazilian.

The symposium proposes to focus specifically on contemporary art practices in relationship to the global diffusion and transformation of Asian art and culture. We would like to explore how local art history in Asian countries is reconfigured by, and also reconfigures, the globalization of Asian art and its discourses. We are also interested in examining how art practices within a given country relate to art practices by those who are from that country but live and work elsewhere.

In addition, we would like to consider how the idea of Global Asias, which represents a plural and transnational concept of Asian culture, figures in the processes of globalization that in some way exercise hegemonic effects on local and indigenous art practices. The symposium will also consider global framings in relation to the concept of Global Asias which may include a call back to the international or may examine practices that call upon the global in terms of the planetary.

9:30AM Opening Remarks:

Uchino Tadashi, Professor, Department of Interdisciplinary Cultural Studies, University of Tokyo

Thomas Looser, Associate Professor of East Asian Studies, New York University

 

10AM-12PM Panel 1: Beyond Boundaries in East and Southeast Asia

Synthetic Experience in Contemporary Korean Art: The Alternative and Cinematic Medium in the Age of Anxiety and Disaster

Chung Yeon Shim, Associate Professor, Department of Art History and Theory, Hongik University, Seoul

Coordinates of Region, Latitudes of Locality

Patrick D. Flores, Professor, University of the Philippines, Manila

Perception and Distance of the Globalization: How Japanese Contemporary Art Has Been Delivered to New Audience

Kataoka Mami, chief curator at Mori Art Museum, Tokyo

Globalized East and Ecological Globe: Is There a Way for Chinese Art to Take?

Wang Chunchen, Associate Professor, Central Academy of Fine Arts, Beijing

Discussants:

Inaga Shigemi, Professor, International Research Center for Japanese Studies, Kyoto

Miriam Wattles, Associate Professor, History of Art and Architecture, University of California, Santa Barbara

Moderator:

Kajiya Kenji, Associate Professor, Archival Research Center, Kyoto City University of Arts

 

12-1PM Lunch

 

1-3PM Panel 2: Imagining Japan in Contested Sites of Contemporary Art

Hybridity, Precarity and Possibility in Recent Works by Yamashiro Chikako and Soni Kum: “Imagining an Asia, Politics and Art to Come”

Rebecca Jennison, Professor of Humanities, Kyoto Seika University, Kyoto

Global Asias: Diversity of Nipo-Brazilian Artists

Michiko Okano, Professor of the Undergraduate and Graduate Programs of History of Asian Art, Federal University of São Paulo

To the Ubbeboda station: Yoshio Nakajima in Northern Europe

Shimada Yoshiko, visual artist based in Japan

Mahatma Gandhi, Mao Zedong and Nguyen Ngoc Loan executes Viet Cong Captain Nguyen Van Lem: The Asian Images of Morimura Yasumasa, 1991-2010

Ayelet Zohar, Curator and Lecturer, Department of Art History, Tel Aviv University

Discussants:

Kuraya Mika, Chief Curator, National Museum of Modern Art, Tokyo

Ido Misato, Visiting Fellow, Department of East Asian Studies, Princeton University

Moderator:

Nakajima Takahiro, Professor, Institute for Advanced Studies on Asia, University of Tokyo

 

3:15-5:15PM Panel 3: Localized Mobilities / Mobilized Localities in Transnational Asias

Sociologies of Artistic Consumption and Education

John Clammer, Visiting Professor, United Nations University, Tokyo

Scale Drawing: Contemporary Art and Globalization in South Asia

Sonal Khullar, assistant professor of South Asian art, University of Washington, Seattle

Behind the Waves

Jawshing Arthur Liou, Professor, Indiana University, Bloomington

Art in the Centre of Asia: an Identity Crisis or a Multicultural Modernity?

Yuliya Sorokina, curator, lecturer and writer, based in Almaty, Kazakhstan

Behind the Waves”

 

Discussants:

C.J. Wee Wan-ling, Professor, Division of English, Nanyang Technological University, Singapore

Imamura Yusaku, Director, Tokyo Wonder Site

Moderator:

Uchino Tadashi

 

5:30-6:30PM Wrap-up Discussion

Kataoka Mami

Thomas Looser

Inaga Shigemi

Uchino Tadashi

Moderator:

Nakajima Takahiro

495 total views, no views today

WORK WERQ Art Exhibition and Performances featuring Chicago-based Asian American Artists at FLATSstudio

This exhibition has been organized in partnership with the April 23-25, 2015 Association for Asian American Studies annual conference. Along with Mark Chiang from UIC, I am serving as the site committee co-chair. This is one of two of our events that is free and open to the general public. Special thanks to our site committee member Larry Lee for facilitating the organization of this exhibition.

FOR IMMEDIATE RELEASE

Contact:  Jacqueline Chao

jchao@saic.edu

Aram Han Sifuentes

Ahan5@saic.edu

WORK WERQ

Art Exhibition and Performances featuring

Chicago-based Asian American Artists at FLATSstudio

CHICAGO, IL – March 26, 2015 – Work Werq is a group art exhibition featuring work by Matthew Avignone, Aram Han Sifuentes, Regin Igloria, Audra Jacot,Kiam Marcelo Junio, Hee Ran Lee with Kinnari Vora, Patricia Nguyen, Soo Shin, Leonard Suryajaya, and _jJ4XXX5YN_ (collaboration between jonCatesand 愛真 Janet Lin), curated by Jacqueline Chao and Aram Han Sifuentes. The exhibition will have an opening reception featuring live performances on Thursday, April 23, 2015 from 6-10 pm at FLATSstudio No. 1050, located at 1050 W. Wilson, Chicago, IL. The exhibition will run April 23-May 8, 2015.  To attend the opening reception, please RSVP to workwerq2015@gmail.com by Wednesday, April 22, 2015.

Work Werq_Press Release_FINAL

Leonard Suryajaya. Mom and all the jewelry she bought herself with her own money. 2015. Archival inkjet print.  40” x50”. Image is courtesy of the artist.

About the Exhibition

Work (\ˈwərk\) noun, verb, adjective:  labor, process, art.

Werq (\ˈwərk\) verb: to wear (whether clothes or skin) with ferocity.

Work Werq challenges preconceived notions of Asian (American) identity. The exhibition presents Chicago-based Asian American artists who explore a range of topics including: migration, globalization, gender, queer politics and identity. Opening night will include visual arts of various media and live performances.

This exhibition is organized in partnership with the Association of Asian American Studies 2015 Annual Conference, to be held at the Hilton Orrington in Evanston, IL, from April 23-25, 2015.

About the Artists

Matthew Avignone is a Korean-American photographer born in 1987. In 2011, he obtained is B.A. in photography from Columbia College, Chicago. He has been nominated for the 2012 Baum Award for Emerging American Photographer (The Baum Foundation, San Francisco, CA). His work has been exhibited at the Aperture Foundation (2011) and in the Pingyao Photography Festival: Student Exhibition, Pingyao, China (2011). His book, An Unfinished Body, is now part of the collections of the George Eastman House International Museum of Photography and Film (Rochester, New York) and the International Center for Photography (New York, NY). He is currently working and living in Chicago. matthewavignone.com

Regin Igloria maintains a studio practice in Chicago, IL, which revolves around teaching and serving as an arts administrator. He has taught at Marwen, The School of the Art Institute of Chicago, Anderson Ranch Arts Center, Rhode Island School of Design, and many local institutions. In 2010, he founded North Branch Projects, a community bookbinding project based in Albany Park, Chicago. Currently he serves as the Director of Residencies & Fellowships at The Ragdale Foundation. His work has been exhibited and collected internationally, including the ANTI Contemporary Art Festival, Out of Site Performance Festival Chicago, Tiger Strikes Asteroid, The Franklin, Zg Gallery, and The Center for Book Arts NYC. He is a recipient of a 3Arts Teaching Artist Award, Propeller Grant, 96 Acres Project Grant, and an Americans for the Arts Fellowship. Residencies include Ucross, ACRE, and The Wormfarm Institute. He received his MFA in Painting from Rhode Island School of Design. reginigloria.com

Audra Jacot is a Filipino-American artist and curator based out of Chicago. Raised in the Mormon faith, Jacot’s work celebrates the empowerment of sexuality through sculptural form. She recently received her MFA at the School of the Art Institute of Chicago, through the Art and Technology program. Her work was recently featured in Bravo’s 100 Days of Summer. She is currently the Chief Curator for FLATSstudio in Chicago as well as the Tech Coordinator for the CPS Advanced Arts Program at Gallery 37. audrajacot.com

Kiam Marcelo Junio (preferred gender pronoun: “they/them”) is a Chicago-based interdisciplinary artist creating work through various media, including but not limited to, photography, video, performance (blending butoh, drag and burlesque), sculpture and installation, and culinary arts.  Their research and art practice centers around queer identities, Philippine history and the Filipino diaspora, post/colonialist Asian American tropes and stereotypes, military power dynamics, the politics of personal agency, and social justice through collaborative practices and healing modalities. Kiam served seven years in the US Navy as a Hospital Corpsman. They were born in the Philippines, and have lived in the U.S., Japan, and Spain. iamkiam.com

Hee Ran Lee is a performance artist whose body centered work explores private and public gestures of the Asian female body in the patriarchal power structure and investigates cultural marginalization. Her recent grants have included the ARKO Young Art Frontier from Arts Council Korea (2013), she was a Semi-finalist for the emerging artist prize from The Claire Rosen & Samuel Edes Foundation (2012) and The Anna Louise Raymond Fellowship (2012). Her work has been shown at Culture Station Seoul 284(Korea 2014), Grace Exhibition Space (New York 2013), The Watermill Center (New York 2012), Defibrillator Gallery (Chicago 2012), and Rockbund Art Museum (Shanghai 2011). She holds an MFA specializing in performance from the School of the Art Institute of Chicago and is currently a fellow artist of LEIMAY 2014-2015 at CAVE in New York. heeranlee.com

Patricia Nguyen is a Chicago based performance artist, healer, and educator. She has over 10 years of experience in performance, arts education, community development and human rights, which has taken her work to the United States, Vietnam, Brazil, and the Philippines. Her current work explores the dialectic between modernity and dispossession as it relates to notions of freedom and home. She has performed at the Nha San Collective in Vietnam, the Mission Cultural Center in San Francisco, Oberlin College, Northwestern University, and University of Massachusetts Boston. In 2010, she received a Fulbright Fellowship to work in Vietnam. She has since co-founded cây, the first life skills and art therapy reintegration program with the Pacific Links Foundation for human trafficking survivors along the border regions of Vietnam. She is currently a Ph.D. student in Performance Studies at Northwestern University. patricianguyen.info

Soo Shin was born in Seoul, Korea and currently lives and works in Chicago. She holds an MFA from the School of Art Institute of Chicago. She is interested in the duality of having faith in the unknown and the codependent nature between faith and struggle. Through sculpture, painting, and drawing she turns the psychological struggle into physical experience using the latency of body in her work. She is a recipient of the Vilcek Foundation Fellowship at Mac Dowell Colony Artists residency (Peterbrough, NH) Program and has recently shown her work at Peregrine Program (Chicago, IL), the Dominican University (River Forest, IL), the Rhodes College (Memphis, TN). sooshin.org

Influenced by the cultural milieu of experiencing intra-ethnic relations in Indonesia,Leonard Suryajaya’s work explores identity, culture, gender, and sexuality. By utilizing photography, video, along with elements of performance and installation, his work challenges and deconstructs the perspective we use to scrutinize and observe our roles in a transnational global world. He is currently in his second year as a candidate for an MFA in photography at the School of the Art Institute of Chicago.  leonardsuryajaya.com

Kinnari Vora, a versatile dancer and choreographer, was born in India. She started learning Bharatnatyam, Classical dance form of South India at the age of 5 and continued her advanced training under Guru Sarmishtha Sarkar (India). She also learnt Kathak, a North Indian Classical dance form and various Indian folk dances with Setu folk dance group. Kinnari, has performed both Classical and Folk dances in several prestigious dance festivals in India, US, Greece, Poland, Italy, Israel. Currently based in Chicago, Kinnari found the right platform to suffice her creative thirst for classical, folk, contemporary and fusion Bollywood at Pranita Jain’s Mandala and Kalapriya Dance Company. Her recent performances include Redmoon Theater’s winter pageant, all night World music festival, Harris Theater, Chicago summer dance, Chicago humanities festival.

_jJ4XXX5YN_ is the Noise Country duet of jonCates && 愛真 Janet Lin, who got married in a fever, hotter than a pepper sprout.  j4xxxsyn.tumblr.com/

About the Curators

Jacqueline Chao has a doctoral degree in Art History from Arizona State University with research emphasis in Chinese art.  She has organized and independently curated several art exhibitions, including at the Phoenix Art Museum, ASU Art Museum, and the University of Toronto Art Centre, as well as published extensively on early and contemporary Chinese artists. She currently teaches East Asian Art History at the School of the Art Institute of Chicago, and researches Chinese Art at the Art Institute of Chicago.

Aram Han Sifuentes is a social practice fiber artist and works closely with Chicago based non-profit organizations, community centers, and public schools to facilitate workshops for immigrant communities. She has exhibited her work at the LuXun Academy of Fine Art in Shenyang, China, and the Society for Contemporary Craft in Pittsburgh, PA. Her solo exhibitions include “A Mend” at Babson College in Wellesley, MA, “73,000 forms” at Chicago Artists Coalition in Chicago, IL, and “Immigrant Takeover” at the Center for Craft Creativity and Design in Ashville, NC. Han earned her BA in Art and Latin American Studies from the University of California, Berkeley in 2008, her Post-Baccalaureate Certificate in Fine Art from the Maryland Institute College of Art in 2011, and her MFA in Fiber and Material Studies from the School of the Art Institute of Chicago in 2013. aramhan.com

Work Werq

Featuring Matthew Avignone, Aram Han Sifuentes, Regin Igloria, Audra Jacot, Kiam Marcelo Junio, Hee Ran Lee with Kinnari Vora, Patricia Nguyen, Soo Shin, Leonard Suryajaya, and _jJ4XXX5YN_ (collaboration between jonCates and 愛真 Janet Lin)

Curated by Jacqueline Chao and Aram Han Sifuentes

Exhibition dates:  April 23-May 8, 2015

Opening reception: Thursday, April 23, from 6-10 PM

Featuring performances, DJ, and drinks throughout the evening.

To attend the opening reception, please RSVP to workwerq2015@gmail.com by Wednesday, April 22, 2015.

_________________________________

FLATSstudio is our way of using empty storefronts and vacant commercial spaces in FLATS buildings to support, engage and encourage the artistic spirits of our community. FLATSstudio is an organically evolving program with the core goal of using the Arts to develop the community where FLATS residents live. FLATSstudio creates spaces to live, produce, and exhibit – tying the artists directly with the community by creating services available to give back. Our program hosts monthly galleries on the third Friday of every month and also offers an artist housing program to those who qualify.

FLATSstudio, 1050 W. Wilson, Chicago, IL, 60640

(CTA:  easily accessible on the RED Line, Wilson stop).

All viewings after the opening reception are by appointment only. 

To schedule a visit, please email info@flatsstudio.com

1,047 total views, 1 views today

DAAN events at CAA 2015 in NYC!

DAAN Logo

 

 

 

 

DAAN at College Art Association:

Diasporic Asian Art Network (DAAN) Panel & Meeting at CAA 2015

The DAAN (CAA Affiliated Society) Panel and Business Meeting are FREE to the public, conference registration is not required to attend.

 

February 13, 2015Friday

Diasporic Asian Art Network Panel 


“Geography of the Imagination: The Island”

Time:  12:30 PM—2:00 PM
Location: Hilton Hotel Midtown, 2nd Floor, Bryant Suite
1335 Avenue of the Americas
New York, NY

Chairs: Margo L. Machida, University of Connecticut; Leila Philip

  • Toshiko Takaezu: Toward a New Island Modernism – Leila Philip
  • The Okinawa Trilogy: An Island Landscape and the Traces of War – Osamu James Nakagawa
  • Unbounded Island Imaginaries: Oceanic Diasporas, Global Flows, and Conceptions of Place –Margo L. Machida

Thank you to the 2015 DAAN panel committee including Alice Ming Wai Jim (committee chair/Concordia University), ShiPu Wang (UC Merced), and Binod Shresthra

——————————-——————————-——————————-

Diasporic Asian Art Network Business Meeting

February 13, 2015, Friday

Time: 5:30PM-7PM

Location: Hilton Hotel Midtown
1335 Avenue of the Americas, 2nd Floor, Bryant Suite

Meeting is free to the public, conference registration not required to attend. Please send achang@nyu.edu any suggestions for agenda items. We will be discussion issues including regional activities and panel topics for 2016.

577 total views, no views today

College Art Assocation Call For Papers for Feb. 2015 in NYC

Propose a Paper or Presentation for the 2015 Annual Conference

The 2015 Call for Participation for the 103rd Annual Conference, taking place February 11–14, 2015, in New York, describes many of next year’s programs sessions. CAA and the session chairs invite your participation: please follow the instructions in the booklet to submit a proposal for a paper or presentation. This publication also includes a call forPoster Session proposals and describes the seven Open Forms sessions. Deadline: May 9, 2014.

559 total views, 1 views today