Tag Archives: ADVA

Download and read ADVA Journal online! New FALL 2016 issue Vol. 2 No. 3

Download and read ADVA Journal online! New FALL 2016 issue Vol. 2 No. 3 is out!

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Authors Sharda Patasar on “The Ritual Art of the Ganesh Utsav in Trinidad,” Aaron Michael Kerner on “The Circulation of Post-Millennial Extreme Cinema,” and Shepherd Steiner on “Mirror on the Wall: Photography, Logos, and the Problem of Writing in Ken Lum.”

Also a Symposium Feature for “Home Ground: Canadian Perspectives” with Jamelie Hassan, Ruba Kana’an, Robert Houle, Dot Tuer, John Greyson, Luis Jacob, Swapnaa Tamhane, Zainub Verjee

Q&A Towards an Aesthetic of Excess:
A Conversation with Laura Kina and Việt Lê
And reviews by authors Jennifer Ho for “Undercover Asian: Multiracial Asian Americans in Visual Culture,” Douglas S. Ishii for “Indian Accents: Brown Voice and Racial Performance in American Television and Film,” Karen Kurczynski for “Yayoi Kusama: Inventing the Singular,” and Christine Bacareza Balance for “Islands of Empire: Pop Culture and U.S. Power”

Also!
Perspectives article “March Eleven: ‘What If…'”
by author Trinh T. Minh-ha

Go to:
http://www.brill.com/…/asian-diasporic-visual-cultures-and-…

Individuals are eligible for free access to Asian Diasporic Visual Cultures and the Americas until 31 December 2016, using access token ADVA4U.

Activate your free access in 4 easy steps:
1. go to booksandjournals.brillonline.com
2. register to create your own user account
3. go to my account and click on add content
4. enter access token and manage your publication alerts

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Diasporic Asian Art Network Panel Session: Asian Latino Art and Visual Cultures: Current Scholarship and Institutional Practices — at CAA 2015 in Washington DC

DAAN LOGO

 

Diasporic Asian Art Network Panel Session:
Saturday, February 6, 12:30 PM – 2:00 PM
Washington Marriott Wardman Park Hotel; Room: Washington 5, Exhibition Level

Asian Latino Art and Visual Cultures:
Current Scholarship and Institutional Practices

Panelists:

On Circles and Circuits: An exhibition on Chinese Caribbean Art at the Chinese American Museum
Alexandra Chang, chair
Curator of Special Projects and Director of Global Arts Programs, NYU A/P/A Institute

Chinese American Museum: From Localized Histories to Global Approaches
Steven Wong
Senior Curator, Chinese American Museum in Los Angeles

Building a Cultural Laboratory: the Smithsonian Asian-Latino Project and New Models of Cross-Cultural Exhibition and Education
Adriel Luis
Curator of Digital and Emerging Media, Smithsonian Asian Pacific American Center

Guest Editor of ADVA Journal Special Issue “Memory and Migration”
Anna Kazumi Stahl
Director, Global Program, NYU Buenos Aires

This panel on Asian Latino art and visual cultures will range from historic to contemporary art and present some current scholarship on mobilities of images, goods, people, and ideas on the envisioning of Asia in Latin America as well as art practice. The panel will also include current projects from community-based and national-based institutions, the Chinese American Museum in LA and the Smithsonian Institution in Washington DC and the Asian Diasporic Visual Cultures and the Americas [ADVA] journal.

Special thanks to DAAN Panel Committee Chair Alice Ming Wai Jim and Committee Members ShiPu Wang, Leila Philip and Binod Shrestha

 

Bios

Alexandra Chang is Curator of Special Projects and Director of Global Arts Programs at the Asian/Pacific/American Institute at New York University, where she is Project Director of the Virtual Asian American Museum and Co-Editor of the journal Asian Diasporic Visual Cultures and the Americas (ADVA). She is the Director of the NYU Global Asia/Pacific Art Exchange (GAX) and Co-Organizer of the East Coast Asian American Art Project (ECAAAP). She is also the co-organizer of the Diasporic Asian Art Network (DAAN) and serves on CAA’s International Committee. She was Managing Editor of Art Asia Pacific and is the author of Envisioning Diaspora: Asian American Visual Art Collectives from Godzilla, Godzookie, to the Barnstormers.

Adriel Luis is a self-taught musician, poet, curator, coder, and visual artist who believes imagination is key to transforming cultural paradigms. Adriel is currently based in Washington DC as the Curator of Digital and Emerging Media at the Smithsonian Asian Pacific American Center, where he is focused on exploring intersectional identities in the U.S. and contemporary Asian diasporic art. He is a founding member of the iLL-Literacy arts collective, and also produces and performs music independently. Adriel frequently travels to different parts of Asia with particular interest in how digital space shapes global communities, and how varying levels of freedom of expression channel artistic political imagination. Adriel can be found across online platforms as @DRZZL.

Anna Kazumi Stahl is a fiction writer and PhD working in literature and critical mixed race studies. Based in Argentina, Stahl is Director of NYU Buenos Aires. Serving on Fulbright and PEN/Argentina, she lectures at MALBA museum and assists in J.M. Coetzee’s UNSAM seminars on Literatures of the Southern Hemisphere.

Steven Wong is the Senior Curator at the Chinese American Museum based in Los Angeles.  Mr. Wong is an artist, contemporary art curator and the curator of history at the museum.  His academic interests include Chinese transnational labor migration from the 1850-1930, the role of Orientalism in the construction of Chinatowns and tourist economies, the post-1965 Chinese American middle-class in the United states and the formation of ethnoburbs.  In 2012, he co-curated an exhibition for the Getty’s Pacific Standard Time: Art in L.A. 1945-1980  titled Breaking Ground: Chinese American Architects in Los Angeles at CAM which was the first comprehensive exhibit about a group of pioneering Chinese American architects whose designs continue to influence the landscape of Southern California.  He recently co-curated Origins: The Birth and Rise of Chinese American Communities in Los Angeles which is the largest permanent exhibition on the West Coast about the settlement of Chinese immigrants in Southern California from the 19th Century to the present day.  Furthermore, he curated a contemporary art exhibition titled (de)Constructing Chinatown which opened the door to local artists to re-imagine one of the oldest communities in Los Angeles through multimedia forms.  Mr. Wong holds a Masters in Asian American Studies from the University of California, Los Angeles (1998) and a Master in Fine Arts from the University of California (2000).

 

apa_identity_vertical_blackThe Asian/Pacific/American Institute at NYU is the institutional sponsor of DAAN

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Announcing Asian Diasporic Visual Cultures and the Americas (ADVA) CFP

N E W J O U R N A L

Call for Papers:

Asian Diasporic Visual Cultures and the Americas

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Editors: Alexandra Chang, New York University, and Alice Ming Wai Jim, Concordia University

Area Editors:

Caribbean: Patricia Mohammed, University of the West Indies, St. Augustin

Latin America: Camilla Fojas, DePaul University, and Ana Paulina Lee, University of Southern California

Pacific Islands: Kevin Lim, University of Hawaii at Manoa, and Jane Chi Hyun Park, University of Sydney

Canada: Chris Lee, University of British Columbia

United States: Celine Shimizu, University of California Santa Barbara, and Susette Min, University of California Davis

 

Associate Editors:

Nadine Attewell, McMaster University

Mark Johnson, San Francisco State University

Margo Machida, University of Connecticut

Kirsten Emiko McAllister, Simon Fraser University

Thy Phu, University of Western Ontario

Karen Shimakawa, New York University

 

Reviews Editors:

Laura Kina, DePaul University

Viet Lê, California College of the Arts

 

Board of Advisors:

Lily Cho, York University

Michelle Cho, McGill University

Catherine Dossin, Purdue University

Haidy Geismar, University College London

Julia P. Herzberg, independent scholar and curator

Ranjit Hoskote, independent scholar

Evelyn Hu De-Hart, Brown University

Anna Kazumi Stahl, New York University

Christine Kim, Simon Fraser University

Monica Kin Gagnon, Concordia University

Jacqueline Lo, Australian National University

Thomas Looser, New York University

Roy Miki, Simon Fraser University

Nicholas Mirzoeff, New York University

Diana Taylor, New York University

Ming Tiampo, Carleton University

Tom Wolf, Bard College

Midori Yoshimoto, New Jersey City University

 

Asian Diasporic Visual Cultures and the Americas (ADVA) will be published by Brill in affiliation with the Asian/Pacific/American Institute, New York University (New York) and the Gail and Stephen A. Jarislowsky Institute for Studies in Canadian Art, Concordia University (Montreal).

 

Asian Diasporic Visual Cultures and the Americas is a new peer-reviewed journal that features multidisciplinary scholarship on intersections between visual culture studies and the study of Asian diasporas across the Americas. Perspectives on and from North, Central and South America, as well as the Pacific Islands and the Caribbean are presented to encourage the hemispheric transnational study of multiple Americas with diverse indigenous and diasporic populations. The broad conceptualization of the Americas as a complex system of continual movement, migratory flows and cultural exchange, and Asian diaspora as an analytical tool, enables the critical examination of the historically under-represented intersections between and within, Asian Canadian Studies, Asian American Studies, Asian Latin American Studies, Asian Caribbean Studies, and Pacific Island Studies. The journal explores visual culture in all its multifaceted forms, including, but not limited to, visual arts, craft, cinema, film, performing arts, public art, architecture, design, fashion, media, sound, food, networked practices, and popular culture. It recognizes the ways in which diverse systems of visualities, inclusive of sensorial, embodied experience, have shaped and embedded meanings within culturally specific, socio-political and ideological contexts.

 

Asian Diasporic Visual Cultures and the Americas is dedicated to the critical examination of visual cultural production by and about Asian diasporic communities in the Americas and largely conceived within a globally connected framework. The journal provides an intellectual forum for researchers and educators to showcase, engage and be in dialogue with this growing multidisciplinary area of investigation within the humanities and will be published twice annually with one double issue. Along with academic articles, each issue features reviews of a wide range of visual cultural production, including books, films, and exhibitions, as well as full colour artist pages. The journal welcomes transnational and transhistorical as well as site-based scholarly critique and investigation on visual cultures that engage with historical, material, cultural and political contextualizations within current discussions on race, ethnicity, gender, sexuality, dis/ability and class as well as aesthetics, ethics, epistemologies, and technologies of visuality. Transcultural areas of investigation in the humanities, including Asian-Indigenous collaborations, historical formulations of Afro-Asian connections, and studies on transnational subjects of mixed race heritage, are welcome. In this way, the journal recognizes the critical project of challenging not only the assumed pan-ethnicity of cultural groupings but also the varying degrees of racialized experiences that have been freighted by cultural stereotypes or based on regional identifications, geographical proximity and fixed temporalities.

First issue is planned for publication in Winter/Spring 2015.

DEADLINE for first issue: June 1, 2014

 

Submissions

Essays (between 5,000-6,500 words) and reviews (between 800-1,000 words) should be prepared according to MLA (for humanities) or APA (for social sciences) style and submitted electronically. Proposed artist pages (up to 6 pages) will also be considered. More detailed instructions for authors can be found at brill.com. Authors’ names should not appear on manuscripts; instead, please include a separate document with the author’s name and address and the title of the article with your electronic submission. Authors should not refer to themselves in the first person in the submitted text or notes if such references would identify them; any necessary references to the author’s previous work, for example, should be in the third person. Please send queries or submissions to: ADVAedit@gmail.com.

Please visit our Facebook page for more information: https://www.facebook.com/pages/Asian-Diasporic-Visual-Cultures-and-the-Americas/646111668789406  

 

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