Tag Archives: CFP

Application Deadline Extended l The Robert H. N. Ho Family Foundation Greater China Research Grant 2016

Application Deadline Extended l The Robert H. N. Ho Family Foundation Greater China Research Grant 2016

The application deadline has been extended to 30 November 2016, 6pm HKT.

Last call for proposals for Asia Art Archive’s (AAA) The Robert H. N. Ho Family Foundation Greater China Research Grant. With support from The Robert H. N. Ho Family Foundation, the grant offers one-year fellowships to up to three individuals to study the AAA collection and develop historical research projects on topics relating to contemporary art in Mainland China, Taiwan, Macau, and Hong Kong.

With a panel of judges, including curators and scholars in the field, AAA will assess applicants based on their knowledge of contemporary art in the Greater China region, relevant experience in the field, proposed methodology, and research feasibility.

APPLICATION GUIDELINES

Scope

Applicants are welcome to draw on AAA’s extensive collection of primary source documents from the Greater China region, and are encouraged to propose their own topics. Applicants can develop research proposals that explore specific periods of time, themes, or phenomena in contemporary art from a broad Chinese context.

Eligible Applicants

Postgraduates (including pre-doctoral fellows) with a research focus on contemporary art or Greater China studies, and independent scholars and writers with solid research and publication track records.

Project Completion

The selected project is expected to begin in Dec 2016 and to complete by Dec 2017.

The top grantee will be required to submit interim reports updating AAA on his or her progress. Upon completion, the top grantee must submit to AAA all documents and original materials collected during the course of the project, a written paper, a complete bibliography, and an inventory of collected materials. The project will conclude with two public presentations by the grantee in Jan–Feb 2018 (one at AAA, Hong Kong).

Runner(s)-up will be required to submit a final paper and give a public presentation in Hong Kong or their relevant city.

Applicants are required to provide tentative timelines for the project.

Budget

AAA will award US$15,000 (approx. HK$120,000) to the top grantee. Budgets should allow for a two-month residency in Hong Kong; research trips to Mainland China, Taiwan, and/or Macau during the AAA residency; and acquisition of new materials.

Up to two runners-up will be awarded US$5,000 (approx. HK$40,000) each for their research projects.

Applicants are required to provide line item budgets with their proposals.

Enquires & Proposal Submission

Please send enquiries and proposals to Asia Art Archive via email to research@aaa.org.hk with:

• CV (academic history, relevant past projects, and at least two references)
• Research project description (objectives, approach, and background)
• Tentative timeline
• Budget proposal

Applicants may be contacted for additional information.

Application Deadline:
30 Nov 2016, 6pm HKT

Asia Art Archive (AAA) is an independent non-profit organisation initiated in 2000 in response to the urgent need to document and make accessible the multiple recent histories of art in the region. With one of the most valuable collections of material on art freely available from its website and onsite library in Hong Kong, AAA builds tools and communities to collectively expand knowledge through research, residency, and educational programmes.

Asia Art Archive
11/F, Hollywood Centre, 233 Hollywood Road, Sheung Wan, Hong Kong
Tel: + 852 2844 1112 | Website: http://www.aaa.org.hk

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Call for Papers: SYMPOSIUM “Writing and Picturing in Post-1945 Asian Art”

Call for Papers
SYMPOSIUM “Writing and Picturing in Post-1945 Asian Art”
(Part II: Graduate Student Workshops)

Center for the Art of East Asia, Center for East Asian Studies (University of Chicago), and PoNJA-GenKon are organizing a three-day international symposium Writing and Picturing in Post-1945 Asian Art to take place in April 2017. The second day of the symposium will include graduate student workshops to focus on the latest scholarship emerging from research done by graduate students and recent graduates in the field. We would like unpublished materials that will point to new directions of research and interpretation.

Symposium Summary
Dates: April 21–23, 2017
Place: Department of Art History, University of Chicago
Co-organized by Center for the Art of East Asia, Center for East Asian Studies, and PoNJA-GenKon

This symposium begins with the examination of two basic human activities, writing and picturing. In different cultures, these two have had historically varying relationships. To name just one, in East Asia, the two (書 and画) have traditionally been entwined, with ink and brush playing central roles. In postwar art, traditional and culturally specific modes of writing and picturing began to undergo transformation, inspired, facilitated, and accelerated in part by increased transnational exchange. In view of developments over the past half century, the symposium Writing and Picturing will survey the state of scholarship and discuss future directions in museological and art-historical studies. The symposium organizers aspire to form a bridge between the established field of modernist art history and newly evolving contemporary art while casting a wider geographical net beyond East Asia. By providing a platform for the presentation of new research on various practices that merge writing and picturing in postwar and contemporary art, we aim to create a watershed for the culturally dynamic rethinking of these fundamental human acts. For the full concept statement and questions, please contact mailponja@gmail.com.

Eligibility for Submission
Students currently enrolled in graduate-level institutions anywhere in the world and recent PhDs who have received their degrees from such institutions in the past two years are eligible to submit paper proposals.

General Parameters
Within the scope of the symposium, proposed papers should be based on original and critical research within the following parameters:

1) the paper must address the work of art and related media in visual culture (e.g. film, design, architecture, manga, etc.) produced after 1945
2) the artist(s) must have been either born in Asia, of Asian descent, or active in Asia
3) the work must demonstrably relate to aesthetic or socio-political situations in Asia after 1945.
4) the paper may address much broader genres of expression than calligraphy, such as ceramic and textile art, as long as it presents a unique approach to the issue of tradition and modernity.
5) You are welcome to submit more than one proposal. However, you will have only one selected paper to present during the program.

Please send:

1) your proposal, no more than 500 words
2) your CV, no more than 2 pages
3) if you want to attach image(s), no more than 1MB (please scale down the files)

Send to: mailponja@gmail.com
Due: August 15, Monday, 2016

Funding

Please direct any question to mailponja@gmail.com.

Selection Committee
Co-Chairs: Reiko Tomii, Miwako Tezuka, Chelsea Foxwell
Committee members: Joan Kee, David Raskin

About PoNJA-GenKon
PoNJA-GenKon is an acronym for “Post Nineteen-forty-five Japanese Art / Gendai Bijutsu Kondankai,” an online discussion group of students, art professionals, artists, and individuals interested in contemporary Japanese art across the globe. It was founded in 2003 by two scholars, Dr. Reiko Tomii and Dr. Miwako Tezuka. Also known in its short form, PoNJA, the group fosters communication among the members, shares knowledge with the public, and helps develop this area of study. Today, it has grown to include more than 120 members globally, including all the key leaders and innovators of this still-young field. So much so, “ponja” as a terminology has also come to signify the field of postwar and contemporary Japanese art history.

Miwako Tezuka's photo.
Lead Image: Enrico Isamu Oyama (b.1983), Improvised Mural (Walls), detail, 2015. Acrylic-­‐based aerosol, acrylic paint and sumi ink on walls. (H) 3.8 m x (L) 69.5 m (overall). Installation at Tringle Space, Chelsea College of Arts, University of the Arts, London, United Kingdom. Photo by Tom Carter

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MOBILITIES conference at the Immigration Museum, Melbourne — CFP

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CALL FOR PAPERS

This conference is hosted by the Asian Australian Studies Research Network (AASRN) in partnership with the Immigration Museum, Melbourne.

 

CONFERENCE KEYNOTES

Professor Ien Ang (Institute for Culture and Society, University of Western Sydney)

Dr Tim Soutphommasane (Race Discrimination Commissioner, Australian Human Rights Commission)

Research in Asian Australian Studies is marked consistently by critiques of static contexts and hermetic conceptualisations of sociocultural communities.

With the heightened – some might say hyper – mobility of people, capital, and information in the past couple of decades comes the necessity of new interrogations of community, nation, diaspora, and unbelonging.

What does this porousness of boundaries (whether geopolitical, community, or digital) mean for Asian Australian groups and their critical politics? Has the strategic essentialism of ‘Asian Australian’ lost its efficacy? Where is the crucial work that still needs to be done?

The ‘mobilities’ (aka AAI 5) conference focuses on the disparate, dispersed trajectories of Asian Australian subjects and communities, as well as the movement of its political and cultural boundaries.

It brings together academics, community and cultural workers, educators, creative artists, and industry speakers. At its core, the conference critically examines Asian Australian Studies today.

PRIORITY THEMES:

Critical views on Asia literacy

Educating about Asian Australia

Political subjectivities, public life

Creative cultural activism

Rural + regional Asian Australia

Asian Australian health

Diaspora + Asian identities

Digital activism

Screen cultures + mobile subjects

Histories of mobility + migration

CONFERENCE TIMELINES + SUBMISSION GUIDELINES

Call for Papers deadline: 1 March, 2015

Please send submissions to aai5conference@gmail.com, with “mobilities – <LAST NAMES>” in the email subject heading (e.g. mobilities – De Silva, Wang, Bloggs)

You are encouraged to submit:

Themed panel groups: Panel title and 100 word panel theme summary, 150 word abstracts and 100 word bios for each presenter.

Roundtable groups: Roundtable title and 200 word roundtable theme summary, 100 word bios for each participant.

Individual papers: 250 word abstracts and 100 word bios.

1 May – Accepted speakers will be notified / Registrations open

25 July – Last day for early-bird registration

We welcome interdisciplinary approaches, and presentations from a broad range of humanities and social sciences fields (including political science, public health, cultural studies, education, critical race studies, cultural geography, history, and sociology).

The conference encourages a wide range of presentation format submissions, including themed panels, individual papers, round-tables, and Q&A-style sessions.

CONFERENCE COMMITTEE:

Dr Tseen Khoo (La Trobe U), Dr Dean Chan (Curtin U), Dr Sukhmani Khorana (U of Wollongong) Professor Jacqueline Lo (ANU).

All conference enquiries can be directed to aai5conference@gmail.com

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College Art Assocation Call For Papers for Feb. 2015 in NYC

Propose a Paper or Presentation for the 2015 Annual Conference

The 2015 Call for Participation for the 103rd Annual Conference, taking place February 11–14, 2015, in New York, describes many of next year’s programs sessions. CAA and the session chairs invite your participation: please follow the instructions in the booklet to submit a proposal for a paper or presentation. This publication also includes a call forPoster Session proposals and describes the seven Open Forms sessions. Deadline: May 9, 2014.

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CFP for CAA 2013: Subaltern Rising: Racialization and Visual Culture in the Wake of Independence

CFP: Subaltern Rising: Racialization and Visual Culture in the Wake of Independence
Association for Critical Race Art History (ACRAH) Sponsored Session
College Art Association Annual Conference
New York, February 13-16, 2013

Chair: José Esteban Muñoz, New York University

The years 2012 and 2013 mark fifty years of independence for dozens of former colonies across
the globe. This panel is dedicated to the consideration of art and other forms of expressive
culture at the moment of historical transition, especially as it was evident in the reconfigured
racialization of citizens, economies, geographies, and political systems.

Key regions of post-coloniality include the Caribbean, South America, Africa, Asia, Australia,
and the Pacific Islands. Commissioned public monuments and state architecture; redrawn cities,
renamed streets and other public spaces; and the establishment of cultural institutions—including
national museums and libraries—were acts of autonomy in newly independent Jamaica, Trinidad
& Tobago, Algeria, and Western Samoa (all 1962), and elsewhere.

How was the burst of creativity among artists producing work for the state, reorganized
marketplaces and other commercial venues, performance, and national pageants inevitably
informed by the preceding colonial order? Which post-colonial strategies reflect symbolic and
stylistic borrowings from the language of European modernism in general?

What comparisons and contrasts can be made with post-colonial art produced earlier in short
India and Pakistan (1947); Sri Lanka (1948); Laos (1949); Cambodia (1953); Tunisia, Morocco,
Ghana, and Sudan (1956)? How do all these mid-twentieth century breaks from colonial
and imperial rule influence subsequent visual and cultural programs in the Bahamas (1971),
Suriname (1973), Papua New Guinea (1975), the Panama Canal Zone (1979), Australia and New
Zealand (1986), and Eritrea (1993)?

Please submit a 350-word preliminary abstract and short CV (2 page maximum) in one MSWord
or PDF file attachment to: acrah@ymail.com by May 11, 2012. Email submissions with one
attachment only.

CAA membership is NOT required to participate in or attend the session.

ASSOCIATION FOR CRITICAL RACE ART HISTORY
acrah@ymail.com | Facebook <http://www.facebook.com/acrah>
| The Grapevine <http://acrah.wordpress.com>

Download a pdf of the CFP here: CFP_ACRAH

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