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Visual artist Phillip Chen creates relief etchings inspired by his family stories. One print unearths his great grandfather’s experience as a gold miner in California during the Gold Rush in the 1860s. Another is based on his uncle who owned the only restaurant in Fort Wayne, Indiana that served African Americans in the 1930s. Please join Phillip Chen in conversation with MOCA’s co-founder Jack (John Kuo Wei) Tchen as they discuss the intriguing yet complex stories within these amazing prints and address the important distinction between history and memory.
This program is held in conjunction with the exhibition Memory Prints: The Story World of Phillip Chen and co-sponsored by the A/P/A Institute at New York University.
About the artist
Born in Chicago, Illinois, Phillip Chen received his bachelor’s degree from the University of Illinois, Chicago, and master of fine arts degree from School of the Art Institute of Chicago. His work in print media has been exhibited in over one hundred and fifty locations nationally and internationally and is held by public collections that include Brooklyn Museum, Carnegie Institute Museum of Art, Art Institute of Chicago, San Francisco Museum of Fine Arts, and Three Shadows Photography Art Centre, Beijing. He has served as an evaluator for College Art Association, National Endowment for the Arts, and John D. and Catherine T. MacArthur Foundation. His awards include grants from National Endowment for the Arts and The Louis Comfort Tiffany Foundation. Phillip Chen is Professor of Drawing and Printmaking at Drake University.
About the curator
Jack (John Kuo Wei) Tchen is the founding director of the A/P/A (Asian/Pacific /American) Studies Program and Institute at New York University, NYU. Professor Tchen co-founded the Museum of Chinese in America in 1979-80 where he continues to serve as senior historian. Yellow Peril! An Archive of Anti-Asian Fear is his most recent book, co-authored/edited with Dylan Yeats. He is also author of the award-winning books New York before Chinatown: Orientalism and the Shaping of American Culture, 1776-1882 andGenthe’s Photographs of San Francisco’s Old Chinatown, 1895-1905, and he edited Paul C. P. Siu’s classic The Chinese Laundryman: A Study of Social Isolation. In 1991, he was awarded the Charles S. Frankel Prize from the National Endowment for the Humanities (renamed The National Medal of Humanities).
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Check out the new peer-reviewed journal Museum and Curatorial Studies Review.
There is an article by A/P/A Institute at NYU Founding Director John Kuo Wei Tchen titled: “Who is Curating What, Why? Towards a More Critical Commoning Praxis”
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