The Virtual Asian American Art Museum (VAAAM) is a multi-year, inter-institutional digital humanities project initiated and led by the following major partners: the Asian/Pacific/American Institute at NYU, NYU Libraries, Getty Research Institute, Smithsonian Institution, Bowdoin Art Museum, San Francisco State University, DePaul University, SCALAR at the University of Southern California, Artl@s/BasART, and Japanese American Service Committee in Chicago.
Rather than a “bricks and mortar” museum, VAAAM presents dynamic, curated materials from US and international repositories to visualize, analyze, and contextualize Asian American art history. VAAAM facilitates the discussion of key topics emerging from the developing discourse of digital art history, American art, national and international standards for museum and institutional collection sharing, and digital access while fostering the transnational narrative of Asian American art.
The Climate Working Group (CWG) is a creative assembly of researchers, scholars, artists, activists, and organizations working to address our climate crisis while bridging the sciences, arts, humanities, and policy. The CWG works on collaborative short-term and long-term projects for public audiences, and serves as a network for resource sharing, feedback, and opportunities to engage across disciplines.
The A/P/A Institute at NYU was the institutional sponsor of the Climate Working Group through August 2019.
Radical Archives was a two-day conference (April 11-12, 2014) organized around the notion of archiving as a radical practice, including: archives of radical politics and practices; archives that are radical in form or function; moments or contexts in which archiving in itself becomes a radical act; and considerations of how archives can be active in the present, as well as documents of the past and scripts for the future. It was curated by 2013-14 A/P/A Institute Artists-in-Residence Mariam Ghani and Chitra Ganesh.The conference was organized around four threads of radical archival practice: Archive and Affect, or the embodied archive; Archiving Around Absence, or reading for the shadows; Archives and Ethics, or stealing from and for archives; and Archive as Constellation, or archive as method, medium, and interface.
Resources from the conference are available here.
Diasporic Asian Art Network (DAAN)
The Diasporic Asian Art Network (DAAN) is a network of scholars, artists, curators, arts writers, and graduate students interested in Asian American art and art history.The purpose of this network is to share ideas and information toward advancing new research, critical writing, and curatorial efforts involving modern and contemporary Asian American/Asian diasporic art and visual culture.
DAAN encourages a broad transnational and trans-diasporic as well as domestic orientation. Whereas ‘Asian American’ refers specifically to the American (read US experience), the network situates itself within the Asian diaspora, bringing the discussion to a global level that includes Asian American art.
The A/P/A Institute at NYU was the institutional sponsor of DAAN through August 2019.